Wednesday 26 December 2007

Painting for my shed by Gordon Gorilla.

Gordon 'Vincent' Gorilla's paintings are viewed at first viewed with affection and amusement by his friends who had always known Gordon to be a bit odd. When he began to hang large callico canvases on the outside wall of the communal shed however one or two eyebrows began to raise. Could it be that Gordon was edging towards a kind of neoprimitivism in his work? Surely Gordon was not about to propose a return to that terrible period of heroic abstraction that was in reality a simple extension of commodity worship? The tribe began to eye one another anxiously.

2 comments:

Anonymous said...

In order to see the fuller picture, you must go around it in a full circle. Do I see abstract objects communicating with one-another, or, do I see pre-historic symbols of our early human ancestry? Cave paintings were painted on cave walls, but modern urbanisation means that maybe the wall (or even the shed) is the place to share the news?

mike said...

Turning in ful circles the Hippo gradually became delerious and lost its footing-tumbling through postmodernity into prehistory Hippo realised that the shed was in fact a doorawy through to Narnia.